It, too, was an elegantly stylish movie with a captivating leading performance in Natalie Portman as Jaqueline Kennedy and a piercing, discordant score by Mica Levi. It wasn’t so long ago that the Chilean director Larraín crafted another meditation of mythmaking in the similarly conceptual, “Jackie.” So why is the rest of Pablo Larraín’s “Spencer” such a hollow exercise in high camp? The casting, with Kristen Stewart as Princess Diana, is brilliant, and the ending, in a top-down convertible, is sublime.
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